In a recent interview, actor Dave Franco offered a candid look into his experiences with the new film 'Idiots,' including its particularly memorable and audacious "poo scene." He openly discussed his strategy of proactively reaching out to up-and-coming directors to forge connections and potential collaborations, highlighting his involvement as a producer and his aspirations for the revival of R-rated comedies. Franco also shed light on the film's original title, 'The Shitheads,' and its eventual rebranding, alongside providing tantalizing hints about the future of popular film franchises he's been a part of.
Franco's method of engaging with new talent in the film industry is quite distinctive. He often contacts directors whose debut films he admires, not only to express his appreciation but also with an eye toward future partnerships. This approach, which he humorously refers to as playing the "long game," has primarily resulted in fostering friendships rather than immediate professional collaborations. However, his initial contact with filmmaker Macon Blair, following Blair's success with 'I Don't Feel at Home in This World Anymore,' eventually led to their joint effort on 'Idiots.' Initially, Franco felt he was too young for the role of Mark Southard, the aging slacker in Blair's screenplay, then titled 'The Shitheads.'
The film faced multiple setbacks, with various casting combinations falling through due to financial difficulties. It wasn't until around 2024 that Franco, now older and with directorial and producing experience, re-engaged with Blair. He offered his support as a producer to help secure funding, demonstrating his commitment to the project. Production for 'The Shitheads' eventually commenced in Georgia in 2025. Franco played a crucial role in casting, suggesting O'Shea Jackson Jr. for the role of Davis and Mason Thames as the obnoxious teenage influencer, Sheridan, leveraging his prior working relationships with both actors.
One of the most talked-about aspects of 'Idiots' is its infamous "poo scene," which Franco humorously likened to a top-tier cinematic bodily function moment. He recalled telling his wife, Alison Brie, that it was the most extreme thing he had ever done on camera, a significant statement given his past roles. The scene, which involved a prop rig and some creative use of Cocoa Krispies for visual effect, was reportedly met with immediate laughter from the crew, though Franco had to maintain his character's delirious state. The film's original title, 'The Shitheads,' was a direct reference to this scene and the main characters' general ineptitude. However, after its premiere at the Sundance Film Festival, the distribution company, IFC, advised a title change for broader marketability, leading to its current, more palatable name, 'Idiots.'
Franco expressed his desire for 'Idiots' to contribute to the revival of a particular brand of comedy reminiscent of early 2000s hits like 'The Hangover' and 'Superbad.' He believes audiences are eager for these types of outrageous and boundary-pushing comedies that have become less common in mainstream cinema. He also briefly touched upon his future as a director, expressing a strong inclination towards directing a horror film next, though he notes the intense commitment required for such a project. Regarding his involvement in sequels, Franco confirmed his enthusiasm for a potential '24 Jump Street,' stating his availability should his character, Eric Molson, naturally fit into the narrative. He also indicated awareness of a script for 'Now You See Me 4,' playfully suggesting an elongated title for the magical caper.
During the conversation, Franco recounted a particularly wild experience while filming '6 Underground,' where he performed dangerous driving stunts in Florence, Italy, nearly risking damage to historical landmarks. This anecdote, along with the 'Idiots' diarrhea scene, illustrates the extreme and often memorable moments that define his acting career. He also reflected on the concept of on-screen chemistry, acknowledging that while it can sometimes be a product of good acting and editing, genuine camaraderie among cast members often translates into tangible chemistry that resonates with viewers. Franco emphasized his preference for working with people he knows and trusts, as it allows him the freedom to experiment and take risks in his performances.
The conversation concluded with Franco reiterating the importance of audience support for 'Idiots,' stressing that the success of such "throwback" comedies is crucial for inspiring more like them to be made. His journey from an actor reaching out to emerging directors to a producer and leading man underscores a career dedicated to pushing creative boundaries and advocating for the types of films he believes in. His willingness to discuss the more outrageous aspects of his work, like the "poo scene," highlights his commitment to the raw and unfiltered humor that defines 'Idiots' and the comedies he aims to revive.